Monday, November 25, 2013

Dance Anatomy

What they are and what they do:

External oblique: The external oblique is situated on the lateral and anterior parts of the abdomen. It is broad, thin, and irregularly quadrilateral, its muscular portion occupying the side, its aponeurosis the anterior wall of the abdomen. The external oblique functions to pull the chest downwards and compress the abdominal cavity, which increases the intra-abdominal pressure as in a valsalva maneuver. It also has limited actions in both flexion and rotation of the vertebral column. One side of the oblique is contracting can create lateral flexion. It also contributes in compression of abdomen.

Transverses abdominis: also known as the transverse abdominus, transversalis muscle and transverse abdominal muscle, is a muscle layer of the anterior and lateral (front and side) abdominal wall, which is deep to (layered below) the internal oblique muscle. It is thought to be a significant component of the core. The transversus abdominis helps to compress the ribs and viscera, providing thoracic and pelvic stability. The transversus abdominis also helps pregnant women deliver their child.

Internal oblique: is the intermediate muscle of the abdomen, lying below the external oblique and above the transverse abdominal muscle. The internal oblique performs two major functions. First, it acts as an antagonist (opponent) to the diaphragm, helping to reduce the volume of the thoracic (chest) cavity during exhalation. When the diaphragm contracts, it pulls the lower wall of the chest cavity down, increasing the volume of the lungs which then fill with air. Conversely, when the internal obliques contract they compress the organs of the abdomen, pushing them up into the diaphragm, which intrudes back into the chest cavity reducing the volume of the air filled lungs, producing an exhalation. Secondly, its contraction rotates and side-bends the trunk by pulling the rib cage and midline towards the hip and lower back, of the same side. It acts with the external oblique muscle of the opposite side to achieve this torsional movement of the trunk. For example, the right internal oblique and the left external oblique contract as the torso flexes and rotates to bring the left shoulder towards the right hip. For this reason, the internal obliques are referred to as "same side rotators."

Rectus abdominis: known as the "abs," is a paired muscle running vertically on each side of the anterior wall of the human abdomen, as well as that of some other mammals. The rectus abdominis is an important postural muscle. It is responsible for flexing the lumbar spine, as when doing a "crunch". The rib cage is brought up to where the pelvis is when the pelvis is fixed, or the pelvis can be brought towards the rib cage (posterior pelvic tilt) when the rib cage is fixed, such as in a leg-hip raise.

Multifidus: consists of a number of fleshy and tendinous fasciculi, which fill up the groove on either side of the spinous processes of the vertebrae, from the sacrum to the axis. The multifidus is a very thin muscle. The multifidus muscle allows each vertebra to work more efficiently, and as a result, the muscle guards against spinal joint degradation. The posterior branches of the spine innervate the muscle at various locations.

Gluteus minimus: the smallest of the three-gluteal muscles, is situated immediately beneath the gluteus medius. It is fan-shaped, arising from the outer surface of the ilium, between the anterior and inferior gluteal lines, and behind, from the margin of the greater sciatic notch.
The fibers converge to the deep surface of a radiated aponeurosis, and this ends in a tendon, which is inserted into an impression on the anterior border of the greater trochanter, and gives an expansion to the capsule of the hip joint. It is also a local stabilizer for the hip.

Erector spinae: a deep muscle of the back; it arises from a tendon attached to the crest along the center of the sacrum (the part of the backbone at the level of the pelvis, formed of five vertebrae fused together). When it reaches the level of the small of the back, the erector divides into three columns, each of which has three parts. The muscle system extends the length of the back and functions to straighten the back and to rotate it to one side or the other.

Quadratus lumborum: is a muscle in the lower back. It is irregular and quadrilateral in shape, and broader below than above. It contributes to the stabilization and movement of the spine and the pelvis. 

Gluteus medius: one of the three-gluteal muscles is a broad, thick, radiating muscle, situated on the outer surface of the pelvis. The gluteus medius and gluteus minimus function together to pull the thigh away from midline, or "abduct" the thigh. During gait, these two muscles function principally in supporting the body on one leg, in conjunction with the tensor fascia latae, to prevent the pelvis from dropping to the opposite side.

Just what they do:

Piriformis: The piriformis muscle is part of the lateral rotators of the hip along with the quadratus femoris, gemellus inferior, gemellus superior, obturator externus, and obturator internus. The piriformis laterally rotates the femur with hip extension and abducts the femur with hip flexion. Abduction of the flexed thigh is important in the action of walking because it shifts the body weight to the opposite side of the foot being lifted, which keeps us from falling. The action of the lateral rotators can be understood by crossing your legs to rest an ankle on the knee of the other leg.

Coccygeus: The function of the coccygeal muscle is to support the all of the organs located in the pelvis. In females, this includes support of the uterus. This muscle also closes off the back of the pelvic cavity. 

Levator ani muscles: The levator ani muscles act as supporting structures in urinary control, having both involuntary and voluntary functions.

Iliococcygeus: pulling the coccyx from side to side and elevating the rectum.

Pubococcygeus: Aids with core and stability.

Puborectalis: made up of skeletal muscle and its function can be manipulated by posture and conscious thought.

Tuesday, November 12, 2013

The Different Types of Glissades

There are six different types of Glissades:

Glissade devant: the initiating foot to the front and ends with the initiating foot to the front. The position of the feet do not change due to this and end just where they began.

Glissade derriere: begins with the foot from the back and ends in the back. 

Glissade dessous: the initiating foot starting in the front and ending in the back. 

Glissade dessus: the initiating foot starting behind and then ending in the front. 

Glissade en avant: the initiating leg pushes off of the floor with the next leg following behind it. 

Glissade envarriere: the initiating foot being the one that is behind with the foot on the front following it. 

Monday, October 21, 2013

My Progress

          Despite the fact that there is no chance of me becoming a Prima Ballerina, I have definitely noticed progress in my skills now compared to last semester, or even from the beginning of this semester until now. 
          
          For starters, I am definitely becoming more comfortable with the language (movement) of ballet as well as the jargon. I am now able to feel comfortable with moving my body to achieve the goal of the move. For example, I am a lot more comfortable with balancing in a sou sous or a relevé then I was last semester. Also, because I am improving with the technique, I can now add more of my individualistic style. I definitely see the improvement on my timeline of ballet at UT and I am looking forward to keep on improving.


Tuesday, October 8, 2013

Therapeutic Bar

Samantha Milano

Therapeutic Bar


Part I
  1. Left side of the bar. Flat back and roll up twice for four counts.
  2. Two cambre facing bar for four counts.
  3. On the left side of the bar, so a side stretch while stretching foot in front for four counts
  4. Then do the same thing but using your back foot.
  5. Turn to the bar and stretch forward for four counts
  6. Repeat only for two counts.
  7. Put hands together in a knot almost. Do port de bra away from the bar first going midway, then going all the way down.
  8. Repeat on the other side.
  9. Flex and point feet twice on with each foot facing bar alternative each foot.
  10. Stretch foot by pointing it on each side while facing the bar bar twice each while bending knees.
  11. Stretch feet heel-to-toe on each side.
  12. Tendu and roll ankles outward on each foot.
  13. Tendu and roll ankles inward on each foot.
  14. Lunge on each leg while facing the bar and holding onto the bar.
  15. Flat back push ups utilizing the bar.
  16. Bend over and holding arms to stretch lower back.

Part II
  1. Facing away from the bar, arm stretches that include stretching out then bringing them back into the body four times. Then put arms up to make an uppercase V and alternative with bringing them in and straight up. Then alternate with the latter arm stretch.
  2. Then hold right arm behind your back and pull with your left and then stretch head away from it.
  3. Repeat with other arm.
  4. Slowly roll head in each direction.
  5. Hold foot behind back to stretch quads.
  6. Then hold your leg with opposite hand and leg out when lifting.
  7. Repeat but pulling your leg further behind you.
  8.       While facing the bar, brush leg forward and back while bending the knee and tow pointed.
  9. Repeat with other leg.
  10. Turn to the left of the bar and brush legs in figure eight to the front then to the back.
  11. Repeat by turning to the other side of the bar.
  12. Repeat the figure eight but lifting leg in second position, land foot down and then releve and then return to the flat-footed position.
  13. Lunge to the floor facing the bar .
  14.  Using the same leg cross it behind you and pointed with the arm in the same direction as the foot.
  15. Repeat with other side.


Fin



Wednesday, October 2, 2013

Samantha Milano

Ballet II Intermediate
Reflection:

I have found that thus-far this semester's class, a lot of the moves have become much easier for me. I feel much stronger and in control of my body movements. I also find it easier to catch onto combinations and be able to apply technique. Before, it was much more difficult for me to fully apply to technique because I would be confused on the combination. This semester I feel more confident in my presence within class. I am definitely far from being perfect and there is a lot that I need to work on, however I am happy with the progress that I have made. Hopefully, with constructive criticism, I will continue to improve and to see more progress. 

Tuesday, October 1, 2013

Ballet II Intermediate Vocabulary

Samantha Milano

Definitions: 

Croise: One of the directions of epaulement. The crossing of the legs with the body placed at an oblique angle to the audience. The disengaged leg may be crossed in front or in the back.
Efface: One of the directions of epaulement, in which the dancer stands at an oblique angle to the audience so that a part of the body is taken back and almost hidden from view. This direction is termed “ouvert” in the French method. Efface is also used to qualify a pose in which the legs are open (not crossed). This pose may be taken devant or derriere, either a` terre or l’air.
Ecarte devant: The dancer faces either one of the two front corners of the room with the leg that is closer to the audience pointed in the second position a terre or raised to the second position en l’air. When this position is taken with the R leg extended, the dancer stands at an oblique angle to the audience, facing corner 8 with the R leg in the second position pointe tendue a terre or raised to the second position en l’air pointing toward corner 2. The arms are held with the R arm curved over the head in the line of vision and the L arm held in demi-seconde position. The body leans to the left with the head turned to the right and the eyes looking leans to the left with the head turned to the right and the eyes looking up at the R hand.
Derriere: The dancer faces either one of the two front corners of the room with the leg that is closer to the audience pointed in the second position a terre or raised to the second position en l’air. When this position is taken with the L leg extended, the dancer stands at an oblique angle to the audience, facing corner 8 with the R leg in the second position pointe tendue a terre or raised to the second position en l’air pointing toward corner 6. The arms are held with the L arm curved over the head in the line of vision and the R arm held in demi-seconde position. The body leans to the right with the head turned to the right and the eyes looking down at the extended R arm.
À la quatrième devant: is with the working leg stretched out to the front; à la quatrième derrière is with the working leg stretched to the back.
devant:  Directed in front of the body.

Five Classes of Jumps


Saut (é): Jump. A jump off both feet, landing with feet in in the same position.
   Temps Levé: This is a hop from one foot with the other raised in any position. The instep is fully arched when leaving the ground and the spring must come from the pointing of the toe and the extension of the leg after the demi-plié. 
Jeté: Throwing step. A jump from one foot to the other in which the working leg is brushed into the air and appears to have been thrown. 
Assemble: Assembled or joined together. A step in which the working foot slides well along the ground before being swept into the air. As the foot goes into the air the dancer pushes off the floor with the supporting leg, extending the toes. Both legs come to the ground simultaneously in the fifth position. If an assemblé is porté it requires a preparatory step such as a glissade to precede it. If an assemblé is en tournant it must be preceded by a preparatory step. 
Sissonne: It is a jump from both feet onto one foot with the exception of sissonne fermée, sissonne tombée and sissonne fondue, which finish on two feet. Sissonne may be performed petite or grande. The petites sissonnes are sissonne simple, sissonne fermée, sissonne ouverte at 45 degrees and sissonne tombée at 45 degrees. The grandes sissonnes are sissonne ouverte at 90 degrees, sissonne renversée and sissonne soubresaut.